Monday, May 31, 2010

Download Cosmopolitanism and International Relations TheoryBy Richard Beardsworth

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Cosmopolitanism and International Relations TheoryBy Richard Beardsworth

Globalization has been contested in recent times. Among the critical perspectives is cosmopolitanism. Yet, with the exception of normative theory, international relations as a field has ignored cosmopolitan thinking. This book redresses this gap and develops a dialogue between cosmopolitanism and international relations. The dialogue is structured around three debates between non-universalist theories of international relations and contemporary cosmopolitan thought.

The theories chosen are realism, (post-)Marxism and postmodernism. All three criticize liberalism in the international domain, and, therefore, cosmopolitanism as an offshoot of liberalism. In the light of each school's respective critique of universalism, the book suggests both the importance and difficulty of the cosmopolitan perspective in the contemporary world. Beardsworth emphasizes the need for global leadership at nation-state level, re-embedding of the world economy, a cosmopolitan politics of the lesser violence, and cosmopolitan political judgement. He also suggests research agendas to situate further contemporary cosmopolitanism in international relations theory.

This book will appeal to all students of political theory and international relations, especially those who are seeking more articulation of the main issues between cosmopolitanism and its critics in international relations.

  • Sales Rank: #3127043 in Books
  • Brand: Brand: Polity
  • Published on: 2011-06-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.04" h x .84" w x 6.10" l, .95 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

Review
"A must-read for anyone interested in understanding how both cosmopolitanism and postmodern IR can offer insightful political advice to Realism without either falling back on a programmatic ethics or becoming complicit in oppression for the sake of unconditional singularity."
Millennium

"An essential reader for students of international relations theory and those seeking a foundational text to cosmopolitanism with clear depictions of the linkage and responses to its critics."
Central European Journal of International and Security Studies

"The author's tolerantly critical and systematic approach allows him to meet each critical debate with an especiallywell-tailored and zealously argued cosmopolian response, which is bound to appeal to scholars of law and politics."
Political Studies Review

"Beardsworth interrogates contemporary cosmopolitanism with the traditions of international relations theory most critical of it. The sophisticated cosmopolitan liberalism he unfolds in response is resourceful, often surprising, and wise."
Leif Wenar, King's College London

"Cosmopolitanism is now a central framework for thinking about questions of international relations and global politics. In this superb book, Richard Beardsworth draws together themes from cosmopolitan thinking and rival traditions of international thought to produce a fascinating synthesis that shows a way forward for cosmopolitan insights that neither ignores nor denies the difficulties and problems international relations displays. An important and original argument which all those interested in international political theory should read."
Nicholas Rengger, St Andrews University

"Cosmopolitanism and International Relations Theory is an incisive contribution to international political theory. Philosophically wide-ranging, analytically rigorous and politically engaged, this important book both challenges and enriches contemporary debates, while providing new directions for theory and recommendations for practice. As an impressive tour d'horizon, and a significant philosophic contribution, this is a book that cosmopolitans, their critics and international political theorists of all kinds will find essential reading and ground for engagement."
Michael C. Williams, École supérieure d'affaires publiques et internationales

From the Back Cover

About the Author
Richard Beardsworth is professor of political philosophy and international relations at the American University of Paris.

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Monday, May 24, 2010

Download PDF For One More DayBy Mitch Albom

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For One More DayBy Mitch Albom

  • Sales Rank: #4288679 in Books
  • Published on: 2007
  • Number of items: 1
  • Binding: Paperback
  • 275 pages

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Wednesday, May 19, 2010

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  • Sales Rank: #858348 in Books
  • Published on: 1989-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .68" w x 6.30" l, .79 pounds
  • Binding: Hardcover
  • 176 pages

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Monday, May 17, 2010

Free PDF The Corpse Exhibition: And Other Stories of IraqBy Hassan Blasim

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The Corpse Exhibition: And Other Stories of IraqBy Hassan Blasim

A blistering debut that does for the Iraqi perspective on the wars in Iraq and Afghanistan what Phil Klay’s Redeployment does for the American perspective

The first major literary work about the Iraq War from an Iraqi perspective—by an explosive new voice hailed as “perhaps the best writer of Arabic fiction alive” (The Guardian)—The Corpse Exhibition shows us the war as we have never seen it before. Here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits.

Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

  • Sales Rank: #502030 in eBooks
  • Published on: 2014-02-04
  • Released on: 2014-02-04
  • Format: Kindle eBook

From Booklist
These 14 surrealistic stories are all about Iraq’s endless wars. Americans are mostly off-stage, but “The Madman of Freedom Square” is a sly, dark allegory of their arrival and sometimes miraculous effect. Many characters are terrorists, as in “The Killers and the Compass,” in which a veteran terrorist explains the divinity one acquires in the disposition of extreme violence—not a Muslim divinity but a personal one rising from inspiring terror and killing. The title story is all about the fine art of displaying corpses in public places. The matter-of-fact tone of its first-person narrator, a sort of instructor, suggests Kafka’s “A Report to an Academy.” But one thinks of Borges in perhaps the best entry, “The Nightmares of Carlos Fuentes,” about an Iraqi immigrant to Holland who’s determined to put his country’s evils behind him, even to the point that he pretends to be Mexican. An interesting choice for larger fiction collections and perhaps base libraries. --John Mort

Review
Winner of the Independent Foreign Fiction Prize
One of Publishers Weekly’s 10 Best Books of the Year

“Surreal and mind-blowing and completely necessary.” —Jayne Anne Phillips, The Wall Street Journal, “Favorite Books of the Year”

“Arresting, auspicious . . . Well-plotted, blackly comic . . . Sharp, tragicomic moments . . . persist in memory. . . . Its opening story [features] a terrorist middle manager who wouldn’t be out of place in one of George Saunders’s workplace nightmares. . . . ‘The Song of the Goats’ [is] a cunning gem. . . . If a short story could break the heart of a rock, this might just be the one. . . . The collection’s last story is so complicatedly good [with] an ending worthy of Rod Serling. Mr. Blasim’s stories owe more than a little of their dream logic to [Carlos] Fuentes and Serling, with maybe some Julio Cortázar thrown in. . . . Their sequence imparts a mounting novelistic power.” —The New York Times

“Brilliant and disturbing . . . Bitter, furious and unforgettable, the stories seem to have been carved out of the country’s suppurating history like pieces of ragged flesh.” —The Wall Street Journal
 
“Superb . . . The existence of this book is reason for hope, proof of the power of storytelling.” —The Boston Globe

“Subtly and powerfully evocative . . . Superbly translated.” —The New York Review of Books

“Visceral, full of horror and absurdity . . . Blasim is an Iraqi Kafka with a touch of Edgar Allan Poe thrown in, and his pen spares no one who commits atrocities, Americans and Iraqis alike.” —Brian Castner, “This Week’s Must Read” on NPR’s Weekend All Things Considered

“Perhaps the greatest writer of Arabic fiction alive . . . [His stories are] crisp and shocking . . . cruel, funny and unsettling [with] hooks and twists that will lodge in any mind.” —The Guardian

“A modern classic of post-war witness, elegy and revolt . . . Think Irvine Welsh in post-war and post-Saddam Baghdad, with the shades of Kafka and Burroughs also stalking these sad streets. . . . [Blasim] depict[s] a pitiless era with searing compassion, pitch-black humour and a sort of visionary yearning for a more fully human life. . . . Amid all the scars of combat, these stories seek and find comedy, magic, affection and even an urge towards transcendence.” —The Independent

“Line for line and paragraph for paragraph, Blasim writes more interestingly than [Phil] Klay. . . . His content is more strange and striking. . . . Blasim is an artist of the horrendously extraordinary. . . . [His] stories are almost Hemingwayesque in their stripped-down style and content. . . . Blasim has a sense of humor. He must have learned his jokes from the Grim Reaper.” —William T. Vollmann, Bookforum

“Brilliant . . . [A] much-needed perspective on a war-ravaged country . . . It is a slim but potent collection and will go a long way to making Blasim’s name in American literary circles. . . . Blasim plants his flag squarely in the tradition of Kafka, Borges, and other writers of surreal and otherwise metaphysical fiction. . . . He has a vital subject and takes it seriously: Iraq and its people. . . . He has written a fresh and disturbing book, full of sadness and humor, alive with intelligent contradiction.” —The Daily Beast

“A bravura collection . . . Mind-bendingly bizarre . . . Blasim . . . lights his charnel house with guttering flares of wit. . . . [Be] ready to be shocked and awed by these pitch-black fairytales.” —The National

“Unforgettable . . . Very important . . . [Blasim’s stories] could only come out of firsthand experience of the war.” —Flavorwire, 10 Must-Read Books for February

“A vivid, sometimes lurid picture of wartime Iraq [by] one of the most important Arabic-language storytellers . . . Violent, bleak and occasionally beautiful . . . Dark and sometimes bitterly funny . . . Most of these stories feel ready to collapse or explode at any moment. . . . The reader walks on solid ground one moment, and the next the ground gives way—sending him tumbling into deep, otherworldly holes.” —Chicago Tribune

“A blunt and gruesome look at the Iraq War from the perspective of Iraqi citizens . . . Blasim’s stories give shape to an absurdist world in which brutal violence is commonplace. . . . [For] fans of Roberto Bolaño, Junot Díaz, and other writers who employ magical realism when describing grim realities.” —The Huffington Post

“Shocking, urgent, vital literature. I will be surprised if another work of fiction this Important, with a capital I, gets published all year. If you’re human, and you are even remotely aware that a war was recently fought in Iraq, you ought to read The Corpse Exhibition.” —Brian Hurley, Fiction Advocate

“Startling and brutal.” —Guernica

“Corruscating, lapidary, deeply unsettling, Hassan Blasim’s stories are not only without equal, they are a necessary reminder that there is an other side waiting to give voice to the tragic costs of these unnecessary, imposed wars.” —Joydeep Roy-Bhattacharya, author of The Watch and The Storyteller of Marrakesh

“Blasim pitches everyday horror into something almost gothic. . . . [His] taste for the surreal can be Gogol-like.” —The Independent

“Stunningly powerful . . . Brutal, vulgar, imaginative, and unerringly captivating . . . Every story ends with a shock, and none of them falter. A searing, original portrait of Iraq and the universal fallout of war.” —Publishers Weekly, starred review

“The first story alone blew me away. Don’t miss.” —Barbara Hoffert, Library Journal

“Powerful, moving and deeply descriptive . . . All the stories share a complexity and depth that will appeal to readers of literary fiction [and] fans of Günter Grass, Gabriel García Márquez or Jorge Luis Borges.” —Kirkus Reviews

“Excellent . . . Like hollow shards of laughter echoing in the dark . . . Blasim moves adeptly between surreal, internalised states of mind and ironic commentary on Islamic extremism and the American invasion. . . . Extraordinary.” —Metro
 
“Iraq’s story must still be told, and we need Iraqi voices like Blasim’s to tell it.” —More Intelligent Life
                                                                                                                     
“Clever and memorable . . . Agreeably creepy . . . Move[s] effectively between surreal and magical. . . . Blasim’s use of the real-life horrors of Iraq [and] the fanciful spins he puts on events make the horrors bearable—even as these also often become more chilling.” —The Complete Review
 
“The first major literary work about the Iraq War as told from an Iraqi perspective . . . Starkly visual . . . Luridly macabre . . . Eloquent, moving . . . Effortlessly powerful and affecting . . . More surreally gruesome than the goriest of horror stories . . . Hassan Blasim is very much a writer in [the] Dickensian mould. . . . These are tales that demand to be told.” —CityLife.co.uk
 
“Savagely comic . . . A corrosive mixture of broken lyricism, bitter irony and hyper-realism . . . I can’t recommend highly enough ‘The Corpse Exhibition,’ ‘The Market of Stories’ or ‘The Nightmares of Carlos Fuentes.’ ” —The M John Harrison blog

“[Blasim is] a master of metaphor who is now developing his own dark philosophy [in] stories of profane lyricism, skewed symbolism and macabre romanticism. . . . [His work is] Bolaño-esque in its visceral exuberance, and also Borgesian in its gnomic complexity.” —The Guardian

About the Author
Hassan Blasim was born in Baghdad in 1973 and studied at the Baghdad Academy of Cinematic Arts. A critic of Saddam Hussein's regime, he was persecuted and in 1998 fled Baghdad to Iraqi Kurdistan, where he made films and taught filmmaking under the pseudonym Ouazad Osman. In 2004, a year into the war, he fled to Finland, where he now lives. A filmmaker, poet, and fiction writer, he has published in various magazines and anthologies and is a coeditor of the Arabic literary website www.iraqstory.com. His fiction has twice won the English PEN Writers in Tranlsation award and has been translated into Finnish, Polish, Spanish, and Italian. In 2012 a heavily edited version of his stories was finally published in Arabic and was immediately banned in Jordan.
 

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Pretty TheftBy Adam Szymkowicz

Drama / Characters: 3m, 4f Pretty Theft is a play about ballerinas, boxes and the dangers of beauty. After losing her father, Allegra falls under the wing of bad girl Suzy, only to find an unexpected friendship with Joe, an autistic savant. When things take a violent turn, Allegra and Suzy escape cross country and befriend Marco, a mysterious thief who claims he cannot be caught. "Disturbing but touching...Mr. Szymkowicz writes quirky plays about contemporary topics like online dating and gender roles, but there always seems to be something - a knife, a rope, a dead body - in an unexpected place. In Pretty Theft, the undercurrent of danger goes beyond quirkiness; it's more subtle and ultimately more horrifying. The play takes place in a terrifying world where reckless people get hurt, and so do more or less innocent bystanders." -The New York Times "Szymkowicz has not only taken the notion of theft and flipped it on its head - he's taken a story about human beings at their worst and shown how we can claw our way back from the brink by finding the good within ourselves." -The Villager "Adam Szymkowicz has written a play full of interesting people...The dialogue and humor in this play are excellent...It runs a lean, intermission-less 90 minutes and is very satisfying...This would be good theater for young women not only to see but also to perform." -NYTheatre.com

  • Sales Rank: #53927 in Books
  • Brand: Brand: Samuel French, Inc.
  • Published on: 2009-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .16" w x 5.00" l, .18 pounds
  • Binding: Paperback
  • 76 pages
Features
  • Used Book in Good Condition

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Pretty TheftBy Adam Szymkowicz PDF

Pretty TheftBy Adam Szymkowicz PDF

Pretty TheftBy Adam Szymkowicz PDF
Pretty TheftBy Adam Szymkowicz PDF